DBSnappa wrote:
Solaris by Andrei Tarkovsky. It's considered a classic and was made under the Soviet communist studio system as a riposte to 2001. I did manage to get to the end after five installments - yes FIVE, count em. I thought for a while that the film was a subliminally brain deadening exercise to suppress the West as I kept falling asleep in the movie and I NEVER fall asleep in films. Dig it out if you can - it's like a 3 hour tranquility video and makes the Soderbergh remake look like an episode of Tom and Jerry in comparison. Five minute static shots of water running over reeds FTW
Hah I've been meaning to get hold of that. There was a Radio 4 adaptation of it last year and that was excellent, really tense.
One film I watched to the end and then wished I hadn't was "Week End" - 1967, Jean-Luc Godard. OK, I can sort of appreciate it but it's wildly tedious and yet annoying at the same time.
For some reason I also rented this:
"Playtime (1967), shot in 70mm, was the most daring and expensive work of Tati's career; it took him nine years to complete and he was forced to borrow heavily from his own resources to complete the picture. For Playtime, Tati fabricated a set (dubbed 'Tativille') on the outskirts of Paris that emulated an entire modern city. In the film, Tati and a group of American tourists lose themselves in a futuristic glass-and-steel Paris, where only human nature and a few hints of an older France still emerge to breathe life into the city. Narratively, Playtime had even less of a plot than his earlier films, and Tati endeavored to make his characters, including Hulot, almost incidental to his portrayal of a modernist and robotic Paris."
Which I didn't see the end of because I went to sleep, it's 3 hours long and pretty hypnotic. Fairly impressive all the same though.